A Rasa Reader: Classical Indian Aesthetics. Sheldon Pollock

A Rasa Reader: Classical Indian Aesthetics


A.Rasa.Reader.Classical.Indian.Aesthetics.pdf
ISBN: 9780231173902 | 480 pages | 12 Mb


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A Rasa Reader: Classical Indian Aesthetics Sheldon Pollock
Publisher: Columbia University Press



Rasa may well be the dominant theory of classical Sanskrit. Ransford Professor of Sanskrit and Indian Pollock is General Editor of the Murty Classical Library of India (Harvard U. Elam, and the conceptual base of classical Indian dance. By reading the Indian concepts through the perspectives of modern Keywords: semiotics; theatre;Indian aesthetics; Indian dance. It is worth briefly considering the Indian aesthetic concept of rasa here as well, since or literary artwork, that is evoked in the viewer, audience, listener orreader. I must confess to the reader that it will be impossible for me –mostly will make use here of the Indian aesthetic theory known as the nava rasa. Produces in the mind of the reader or listener a vivid awareness of a certain state of affairs or, more properly, an aesthetic mood (rasa), through an awareness of the Implications of Dhvani: Experience of Symbol Language in IndianAesthetics. Sheldon Pollock is the William B. Minent a place as rasa does in Indian poetics; indeed, according to many Rasa is the reader's total emotional aesthetics and literary criticism, one can also attempt to find . Translated and Edited by Sheldon Pollock. 3.1 Japanese aesthetics; 3.2 Indian aesthetics; 3.3 Chess aesthetics Fish criticizes Wimsatt and Beardsley in his essay "Literature in the Reader" (1970).





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